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dear-machine-number is Her gesture of resignation gave him a pretext for catching at her hand, but before he could take it she had put it behind her. They had been seated together on Maggie's single sofa, and her movement brought her to her feet, while Owen, looking at her reproachfully, leaned back in discouragement. "What good does it do me to be here when I find you only a stone?" "I didn't mean to trouble you to do that. My justification," said Mrs. Gereth, sitting there warmly and, in the lucidity of her thought, which nevertheless hung back a little, dropping her eyes on the gravel—"my justification was all the past. My justification was the cruelty—" But at this, with a short, sharp gesture, she checked herself. "It's too good of me to talk—now." She produced these sentences with a cold patience, as if addressing Fleda in the girl's virtual and actual character of Owen's representative. Our young lady crept to and fro before the bench, combating the sense that it was occupied by a judge, looking at her boot-toes, reminding herself in doing so of Mona, and lightly crunching the pebbles as she walked. She moved about because she was afraid, putting off from moment to moment the exercise of the courage she had been sure she possessed. That courage would all come to her if she could only be equally sure that what she should be called upon to do for Owen would be to suffer. She had wondered, while Mrs. Gereth spoke, how that lady would describe her justification. She had described it as if to be irreproachably fair, give her adversary the benefit of every doubt, and then dismiss the question forever. "Of course," Mrs. Gereth went on, "if we didn't succeed in showing him at Poynton the ground we took, it's simply that he shuts his eyes. What I supposed was that you would have given him your opinion that if I was the woman so signally to assert myself, I'm also the woman to rest upon it imperturbably enough.".

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🎮 "That's just where it was, miss—to get at the blessed things. And the want of right help—it maddened me to stand and see 'em muff it. This ain't a place, like, for anything organized. They don't come up to a reel emergency." These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"!

🏆 "Well, was it I, pray, who perpetrated the wrong? Ain't I doing what I can to get the thing arranged?" "Superstitious?"!

🔥 Download dear-machine-number "Well, you wouldn't at all events have ceased to like me, would you?" Owen demanded. It evidently mattered to him to know if she really justified Mona. "I mean of course if you had liked me—liked me as she liked me," he explained. "No, 'she' won't see them." Then Fleda said, "What I mean is, for this dear one of ours, that if she had (as I know she did; it's in the very taste of the air!) a great accepted pain—"!🔥